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July 24th, 2017: NON-CANON
San Diego Comic Con was AMAZING: I met so many great and interesting readers, got to meet some people that I really admire, and won two (TWO!) Eisner Awards, for my work on Squirrel Girl and Jughead! IT WAS PRETTY AMAZING!!
"If you only knew the POWER [squeak] of the Dark Side. JOIN ME [squeak] and we can [squeeeeak] RULE the... [squeaksqueaksqueakSPLASH!]
"I find your lack of balance...disturbing.
Thanks to Angel K. for the splishin' and the splashin'.
The wonderful Miss Conduct at the Boston Globe answered a letter about a pair of sisters, one of whom is dating a dude who has a Nazi flag in his room. She nailed it:
“…the thing about Nazis is, they are a great place to draw the line…”
Let me add a script:
“Sister, your fucking boyfriend has a fucking Nazi flag in his fucking bedroom. What the fuck are you doing? YOU ARE DATING A LITERAL NAZI. LOOK AT YOUR LIFE!!!! WHAT THE FUCK!!!! GET RIGHT WITH THE LORD AND YOURSELF AND ALL THAT IS GOOD AND TRUE AND DUMP THIS NAZI ASSHOLE!!!”
STOP DATING NAZIS, EVERYONE, OKAY, COOL, GOOD TALK, THANK YOU.
P.S. Stop dating people with Confederate paraphernalia, too. SAME DIFFERENCE, Y’ALL.
This weekend many of My People, aka geeks, have converged on San Diego Comic-Con - and I'm not there. [sob]
The rest of us can still look at awesome comic book cakes and dream, right?
(By Bella Cakes)
Look at this gorgeous Wonder Woman cake! LOOK AT IT.
Ok, you can stop now.
Because na na na na na na... BATMAN!
LOVE this design; so much impact for a (relatively) simple silhouette.
But maybe you prefer the Dark Knight a little less... dark?
(By Lindsay Colasurdo)
Pretty piles of punchy pink, Batman!
You know, this color combo is really starting to grow on me.
Here's a fun Hulk cake with some priceless reactions:
I admire your restraint, Elijah; I'd be gnawing on Hulk's elbow by now.
Anyone else love Supergirl?
'Cuz you could totally use this cake for Supergirls OR Supermans (er... men):
Oh! And did you know Groot has his own comic book now? It looks fantastic, just like this cake:
(By Aroma de Azucar)
And I love that Rocket!
If you're after more classic comic books, though, check this out:
(By 21 Cake Lane)
Awwwwesome. The colors, the ascending dot pattern, the perfect overlapping covers - it's ALL good.
And another classic: Wonder Woman!
(See what I did there?)
Not exactly a superhero, but you have to see this fun comic book/pop art cake, made entirely with buttercream!
C'mon. How fun is this??
Yet another reason why geek weddings rock:
Joker & Harley wedding cake.
And finally, a dreamy color combo for some of our fav superheroes:
...plus maybe a favorite villain? 'Cuz I like to think that's one of Harley Quinn's bombs on top. :)
Happy Sunday, guys! Hope those of you at SDCC are having fun!
I was perusing the Cake Wrecks Facebook page the other day (where every follower gets a free invisible puppy!!) when I came across a rather unusual request:
Ahh, so you want to pop open the hood and take a gander inside the wrecks, is that it, Jennifer?
Well, I'm glad you asked.
Hey, Jennifer, you ever wonder how cupcake cakes (ptooie!) keep their icing from falling through all those big gaps?
NOW YOU KNOW.
We just saw last week how a gender reveal cake failed to actually reveal anything - other than plain yellow cake - but here's the opposite problem:
The cake was blue inside with pink icing.
Now I'm going to show you my absolute favorite cake cake wreck of all time, Jennifer, and which I've been hanging onto for just this moment.
First, though, let me explain what (we think) happened:
A bakery was unable to sell a Halloween cake in time, but they didn't want to throw it away or reduce the price. So instead, they simply flipped the entire cake over, icing side down, and re-decorated the other side to make it into a generic birthday design.
CW reader Shannon had no idea of the skullduggery at work until she cut the cake, and found this:
That's a whoooole lotta icing, right there.
(And think how fresh!!)
And finally, I know I posted the video of this over on FB a week or two back, but here's a quick .gif reminder of the importance of proper wedding cake support:
(Watch the original video here to see them both continue to laugh hysterically, which is just adorable. Cutest couple ever!)
Welp, I hope that satisfies some of your blood lust for caketastrophe, Jennifer!
And hey, for the rest of you, the request line... IS OPEN.
Thanks to Cherie O., Leann S., Jaunna, Fribby, Sarah, & Shannon G. for reminding me of those times bakeries accidentally left scissors, a paring knife, and other various cutlery in their cakes - because that was a HOOT. (And also because "TRAUMATIC BIEBER" *still* makes me snort-laugh.)
Although volume 13 was released yesterday (20th July), my copy won’t arrive until Monday 24th (overseas shipping). However, Hana to Yume’s Twitter linked to an informative synopsis of the book on natalie.mu.
Vol. 13 ncludes the Za Hana to Yume chapters that were published from 2011 to 2015 and also the “Tatsumi’s Day” side story from October 2004. The site also mentions that the YnM manga (overall, not just vol. 13, lol!) has sold over 4 million copies to date.
I’m guessing from this that there’s little-to-no completely new content, although maybe there’ll be some new author’s notes (I hope!).What’s been puzzling me for some time now is why these chapters were ever re-written in the first place, as the HtY installments had already reached chapter 75 by 2005, and the more recent installments don’t even reach that point as far as I remember. Why were volumes 12 and 13 not published back in the early 2000s? I suspect we’ll never know why, although I am curious.
(X-posted from Tumblr)
I learned piano very much in the traditional you-learn-pieces-and-perform-them-at-
Dude rocks my fucking world, I tell you what.
Partly, this is because I'm an adult and I've been exposed to the theoretical underpinnings of teaching (I always know when a teacher is using a particular pedagogical technique on me--which interestingly doesn't always make it less effective). I learn differently now and with a different understanding of what "learning" is. This is the place where Csikszentmihalyi has been extremely helpful to me, because I can recognize how a successful learning engagement works. ("Learning experience" would be a better phrase, but it already has connotations that are really kind of the opposite of what I mean.) And the pressure to learn pieces for recitals is mercifully off, which helps, too. But partly it's because this guy approaches music completely differently, bottom up instead of top down.
But the thing that has changed my relationship with my piano is something my teacher said (and I can't for the life of me remember what it was) that made me understand--quite literally for the first time in my life--that fingerings aren't arbitrary and they aren't just put in music so that teachers can judge whether students are obeying them or not. Here's where playing the piano is exactly like rock climbing:
The notes in the score are like the hand, finger, foot, and toe holds used to set a route in a climbing gym. You work the fingerings out yourself, the same way that a climber works out her own solution to how to get to the top of the wall using the holds available. And he said, "This music is for playing." A weirdass chord progression or run is like a difficult sequence in a route; it's a game, a puzzle that a musician who's been dead for 100 years set for all the pianists who came after him to solve. You work out the fingerings (4-5-3-5 WHAT THE ACTUAL FUCK) so that you don't hang yourself out to dry, the same way that a climber works out her holds so that when she has only her right hand free, the next hold isn't three feet to her left. When you make a mistake, you laugh and pick yourself back up and go up the wall again, because it isn't a pass/fail test. It's a game. You have a sense of glee that you share with the route setter about solving this incredibly intricate puzzle almost--in a weird way--together.
What that means is, (1) playing piano, which I have always loved, is now infused with a sense of fun that it truly has never had; (2) I know what I'm learning--not just "music" but the route up the wall, the game that underlies the performance; (3) when I'm fumbling through a new chunk of music, I know why I'm fumbling. It's not because I'm stupid or the music is stupid; it's because my brain is trying to process so much new information that it gets overwhelmed. That's why I miss easy chords and consistently play that damn C-sharp when the piece is written in G. Because THAT'S WHAT THE LEARNING PROCESS LOOKS LIKE.
But honest to god the idea of music as a game being played between composer and performer, and not a game like tennis, but a game like riddling--riddle set and riddle answered--is a seismic paradigm shift for me. Everything looks different now.